Novelist Jay Carmichael reads an excerpt from his new novel 'Marlo' set in 1950s Melbourne, and discusses his influences, queer history archives, and the use of archival images in his book. Then curator…

Manu Kailom is a peer support and community development officer at Many Coloured Sky and Ian Seal is the Director of Three for All. They join the show to discuss challenges for LGBTQI+…

Key Change is a new peer support choir for trans, gender diverse, and gender-questioning people based in North Fitzroy. To learn more about the project, Sam and Gemma are joined by its creative…

Two conversations about what it's like to be queer and trans in sports. First, Director Lyall Brooks talks about 'Become the One' a play currently showing at Geelong Arts Centre, about a closeted…

Castlemaine Pride organizer Sherene Clow speaks about the upcoming pride celebration; MQFF Program Director Spiro Economopoulos and MQFF CEO David Harris explain highlights to see at the Melbourne Queer Mini Film Festival; and…

Canadian-born, Berlin-bred electroclash iconoclast Peaches calls into LiveWire to chat about her new single Pussy Mask. She also talks about her post-COVID tour plans, laments the predictable reactions to her new music, and…

Judith Lucy opens this interview with the information that she's deeply bored by talking about her new book Turns Out, I'm Fine. Repeated attempts by the Breakfasters to discuss the book are…

Stories of controversial Sydney artist Rosaleen Norton, and allegations of satanic rituals, obscene art and sex orgies, filled tabloid magazines in the 1950's. Director Sonia Bible came across these stories while researching for…

Underground icon Beverly Glenn-Copeland has had an extraordinary career spanning over 40 years. He joins Simon and Lauren to reflect on his new retrospective compilation, Transmissions: The Music Of Beverly Glenn-Copeland. Drawing…

Award-winning Australian author Christos Tsiolkas joins The Grapevine to discuss some of his essays that have recently appeared in the Griffith Review and The Guardian and how COVID-19 has focused his creativity inwards…