Primal Screen – 24 October 2022

Adelaide Film Festival plus reviews of LOST CITY OF MELBOURNE and BROS

Primal Screen – 17 October 2022

Interview with Conor Bateman from Static Vision plus reviews of GIVE ME PITY! and HALLOWEEN ENDS

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Primal Screen – 10 October 2022

Interview with director Thomas M. Wright of THE STRANGER and ACUTE MISFORTUNE

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Primal Screen – 3 October 2022

Margot Nash from VACANT POSSESSION plus Chris Luscri and Bill Mousoulis from Unknown Pleasures

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Primal Screen – 26 September 2022

Reviews of APOLLO 10 1/2: A SPACE AGE CHILDHOOD and THE BOB’s BURGERS MOVIE

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Primal Screen – 19 September 2022

Interview with Goran Stolevski and the 4K restoration of Dennis Hopper's 1980 drama OUT OF THE BLUE

Primal Screen – 12 September 2022

Interview about #ClassifyConsent plus reviews of HOUSE OF THE DRAGON and THE RINGS OF POWER

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Primal Screen – 5 September 2022

Interview with Peter Strickland and reviews of his film FLUX GOURMET

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Primal Screen – 29 August 2022

An episode of Primal Screen on 29 August 2022

Interviews with Lee Gambin from Cinemaniacs and Koko Wallace from F*uck Yeah Films

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Primal Screen – 15 August 2022

Reviewed this week: MIFF featured films plus interviews with Lola Quivoron, Antonia Buresi and Rick Charnoski

Primal Screen – 8 August 2022

Interviews this week: Amiel Courtin-Wilson and Alena Lodkina

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Primal Screen – 1 August 2022

Interview with Jenny Valentish about 'Melbourne on Film: Cinema That Defines Our City' plus all things MIFF

Primal Screen – 25 July 2022

Reviewed this week: OFFICIAL COMPETITON and DREAMING WALLS plus "Unknown Pleasures" present Australian independent cinema

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Primal Screen – 18 July 2022

Reviewed this week: THE OLD MAN and THE GODFATHER plus Cinémathèque's Masterpieces of Ukrainian Cinema season

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Primal Screen – 11 July 2022

An episode of Primal Screen on 11 July 2022

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Primal Screen – 27 June 2022

We review Baz Luhrmann's EVIS and Jermiah Zagar's HUSTLE

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Primal Screen – 4 July 2022

It's a Finnephiles special! Plus an interview with Australian director Adrian Francis

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Primal Screen – 20 June 2022

Reviewed this week: FRESH and MEN

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Primal Screen – 13 June 2022

Reviewed this week: A HERO plus interview with Kristy Matheson

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Primal Screen – 6 June 2022

Filmd Reviewed this week: FROM and PISTOL plus discussion about alternative streaming platforms

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Primal Screen – 30 May 2022

Interviews with Thomas Caldwell and Liam Burke plus review of BLUEY

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Primal Screen – 23 May 2022

Reviews this week: THE STAIRCASE and PÉTIT MAMAN plus interview with Franziska Stünkel

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Primal Screen – 16 May 2022

Interviews with Prof. Belinda Smaill and Dr. Simon

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Primal Screen – 9 May 2022

Reviews this week: RUSSIAN DOLL, THE GILDED AGE and GRACE AND FRANKIE plus interview with Claire Jankelson

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Primal Screen – 2 May 2022

Reviews this week: AFTER YANG and THE UNBEARABLE WEIGHT OF MASSIVE TALENT plus interview with Alice McShane

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Primal Screen – 25 April 2022

Reviews this week: THE NORTHMAN and MEMORIA plus interview with Dave Jacobs aka. The Encryptor

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Primal Screen – 18 April 2022

Award-winning cinematographer Jane Castle discusses her documentary When The Camera Stopped Rolling plus reviews of EVERYTHING EVERYWHERE ALL AT ONCE and SEVERANCE

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Primal Screen – 11 April 2022

Films reviewed this week (Gillian Armstrong spotlight): STARSTRUCK and HIGH TIDE plus INTERVIEW WITH GILLIAN ARMSTRONG

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Primal Screen – 4 April 2022

Reviewed this week: CARBON: THE UNAUTHORISED BIOGRAPHY, PEOPLE'S REPUBLIC OF MALLACOOTA, APOLLO 10½: A SPACE AGE CHILDHOOD plus interview with SURROGATE writer-director David Willing

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Primal Screen – 28 March 2022

Films reviewed this week: MASTER and X plus interview with APPARITIONS filmmakers Cinema Viscera

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Primal Screen – 21 March 2022

Films reviewed this week: RIVER and TURNING RED plus interview with THE DUKE producer Nicky Bentham

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Primal Screen – 14 March 2022

Films reviewed this week: BERGMAN ISLAND and KIMI plus interview with ANONYMOUS CLUB director Danny Cohen

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Primal Screen – 7 March 2022

Films featured this week: THE BATMAN, MISS MARX (including an interview with director Susanna Nicchiarelli) and PREPARATIONS FOR BEING TOGETHER FOR AN UNKNOWN PERIOD OF TIME

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